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By Rodeo FX 6 days ago
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    • Project: Unbroken: VFX Breakdown
    • Client: Not Applicable
    • Role: VFX
    • Description: Rodeo FX produced 240 stunning visual effects shots for Angelina Jolie’s biopic Unbroken, including the breathtaking air combat between the B24s and the Zero fighter planes, as well as the landing scene of the damaged B24 Superman plane at the Funafuti airstrip. Take an in-depth look at how our artists crafted invisible VFX to make the World War II biopic seem real. More information about our work on Unbroken here: rodeofx.com/all-films/unbroken
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    • Project: Making of NBC's 2015 Super Bowl Opening
    • Client: NBC Sports
    • Role: VFX and motion design
    • Description: Rodeo FX crafted close to 80 VFX shots for the opening of the NBC Sports broadcast of NFL Super Bowl XLIX, including CG holographic roman numerals that display behind performer Carrie Underwood on a virtual stage before 60,000 simulated fans. The result of this collaboration with production company Bodega Studios is a stunning broadcast intro viewed by nearly 115 million people! CREDITS Client: NBC Sports NBC Sports Coordinating Producer: Fred Gaudelli SVP Creative: Mark Levy VP Creative Director/Director: Tripp Dixon Senior Associate Director: Charlie Vanacore Bodega (production company) Creative Director: Haley Geffen Head of Production: Michael Flexner Line Producer: Rayna Saslove Director of Photography: Chuck Ozeas Production Designer: Evan Rohde Rodeo FX (VFX & post-production) Visual Effects & Motion Design: Rodeo FX Post Production: Rodeo FX Executive Supervisor/Producer: Sébastien Moreau Creative Director & Colorist: André Ü Montambeault Producer: Ashlee Wismach Executive Producer: Camille Geier Lead Compositor: Pierre Blain Lead Motion Designer: Jocelyn Tremblay CG Supervisor: Sébastien Francoeur VFX On-Set Supervisor: Robert Bock VFX Coordinator: Roxanne Geoffrey Concept Artist: Francesco Corvino Matte Painter: Florent Lebrun CG Artist: Jean-Philippe Voyer Digital Compositor: Philippe Pelletier Digital Compositor: Mickael Goussard Production Assistant: Mathieu Arvisais Flame Assistant: Mathieu Taggart Northern Lights (Editing) Editor: Alan Chimenti Executive Producer: Robin Hall Assistant Editor: Tim Avery
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    • Project: Sunday Night Football on NBC
    • Client: Not Applicable
    • Role: VFX
    • Description: Rodeo FX is really proud to have teamed up with NBC and Bodega Studios for the creation of 2014 NBC’s Sunday Night Football opening theme. Country superstar Carrie Underwood is joined by 11 NFL players for "Waiting All Day for Sunday Night" in this dazzling and high-energy show opening.
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    • Project: Game of Thrones, Season 4 – VFX breakdown
    • Client: HBO
    • Role: VFX
    • Description: Rodeo FX is proud to present some of the amazing VFX work they created for Game of Thrones. Along with other world-class VFX studios, Rodeo FX was rewarded with the prestigious 2014 Emmy Award for Outstanding Special and Visual Effects. More informations about our work on this show here: http://www.rodeofx.com/all-films/got
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    • Project: Enemy VFX Breakdown
    • Client: Not Applicable
    • Role: VFX
    • Description: Rodeo FX created 60 visual effects shots for Denis Villeneuve’s film Enemy. Based on "The Double" by Nobel Laureate José Saramago, Enemy features Jake Gyllenhaal, a college professor, who gets spooked when he watches a movie and realizes the actor looks exactly like him. Rodeo FX contribution included CG spiders and vehicles, matte paintings, set extensions and some seamless compositing work for the duplicity shots. Produced by Rhombus Media & micro_scope, Enemy was premiered in the Special Presentation section at the 2013 Toronto International Film Festival (TIFF) and opened in March 2014 across North America. You can find more informations here: http://www.rodeofx.com/all-films/enemy
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    • Project: Volkswagen Zukunft Making of
    • Client: Not Applicable
    • Role: VFX and post-production
    • Description: Here is the making of the « Zukunft » Volkswagen commercial produced by Manifesto Films. We were involved on each steps of the production from the concept to the final compositing. http://www.rodeofx.com/advertising-all/vw-german
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    • Project: Tourisme Québec - Campagne Hiver
    • Client: Not Applicable
    • Role: Finishing
    • Description: Les Québécois ont maintenant la chance d’apprécier la pub « Faut se voir plus souvent », créée dans le cadre de la campagne promotionnelle d’hiver de Tourisme Québec. L’agence Cossette a confié à Rodeo FX la finition de cette pub. Plus de détails sur: http://www.rodeofx.com/publicites/quebecoriginal_hiver
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    • Project: Mr Nobody - VFX breakdown
    • Client: Not Applicable
    • Role: Animation and VFX
    • Description: The film Mr. Nobody is a time and space-spanning cerebral adventure crafted by writer and director Jaco Van Dormael. Rodeo FX created effects for more than 225 shots to represent and animate the director’s limitless imagination, spanning the 3 separate lives and times of the film’s namesake, Nemo Nobody. Our work included a wide range of challenging shots including CG environments, set extensions, complex compositing, look development, graphics design, screen inserts, and make up retouching. Mr. Nobody is a co-production between Canada, France and Belgium, and was partially shot in Montreal. Mr. Nobody is a «tour de force» not to be missed!
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    • Project: Now You See Me - VFX Breakdown
    • Client: Not Applicable
    • Role: Animation and VFX
    • Description: Rodeo FX has delivered 350 complex VFX shots for “Now You See Me,” serving as the film’s main VFX vendor. The film was released by Summit Entertainment on May 31st. The Rodeo FX team created and produced a huge and diverse array of shots for the new film, comprising 23 total minutes of visual effects-driven screen time. http://www.rodeofx.com/all-films/now-you-see-me
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    • Project: Pacific Rim - VFX Breakdown
    • Client: Not Applicable
    • Role: Animation and VFX
    • Description: Rodeo FX was once again called upon to create exceptional environments and immersive 3D matte paintings. However, Rodeo's CG contributions were much larger than on any previous motion picture. In addition to environment work, ILM trusted Rodeo FX to create, simulate, and animate fully CG creatures and vehicles for a variety of sequences. Rodeo FX was also responsible for all the variations of the interior Robot Head shots, which included building and animating a complex CG rig used to control the actions and movements of the robots – a seamless photo-real blend of both CG and practical FX. More here : http://www.rodeofx.com/all-films/pacific-rim
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    • Project: NOW YOU SEE ME: Crowd duplication
    • Client: Not Applicable
    • Role: VFX
    • Description: In a major sequence inside the Las Vegas MGM Grand, which was more than a minute long, RODEO FX stitched and morphed three different cable cam plates together to form a 720-degree spinning shot of the MGM Grand. We filled the entire arena with a mix of 2D crowd elements and CG crowd using “off the shelf” systems such as Kinect and PS3 cameras for motion capture and 3D scanning. The shot was also enhanced with lens flares and the addition of giant video screens
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    We are a Montreal based Visual Effects Production Studio for high-end Film and Advertising.

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